The use of a virtual image as a step to the aesthetic presentation of an overpainted baroque painting

  • Ana Sterle University of Ljubljana, Academy of Fine Arts and Design
  • Lucija Močnik Ramovš University of Ljubljana, Academy of Fine Arts and Design
Palabras clave: Conservación, reintegración cromática, pintura barroca, repintar, restauración virtual, presentación estética

Resumen

La tecnología se ha convertido en una parte importante del trabajo del conservador, y todavía estamos aprendiendo cómo usarla en su totalidad para las mejores prácticas. El principal problema es la falta de tiempo para el tratamiento del patrimonio cultural y el conocimiento insuficiente en el campo de la tecnología. En este artículo, presentamos el uso de una imagen virtual como ayuda para restaurar la pintura Mater Dolorosa del famoso pintor barroco esloveno Marko Layer. El complejo estado de conservación de la pintura indica la necesidad de un enfoque diferente al implementar los procedimientos. La documentación gráfica de las áreas que debían eliminarse y reintegrarse se realizó para que fuera posible tener una visión transparente del trabajo que siguió. Para ayudar con la eliminación y el proceso de reintegración, se hizo una imagen virtual de la pintura reintegrada con sus opciones. El objetivo fue comprender mejor las especificaciones de la pintura. Durante la ejecución de la imagen virtual, la pintura se investigó en detalle para aplicar correctamente la teoría a la práctica.

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Biografía del autor/a

Ana Sterle, University of Ljubljana, Academy of Fine Arts and Design

Ana Sterle was born in Ljubljana, on October 11, 1996. In 2015 she started studies in the conservation of works of art at the University of Ljubljana, Academy of Fine Arts and Design. In 2019 she studied conservation of contemporary art at ESAPA, Spain and the same year graduated at the University of Ljubljana, Academy of Fine Arts and Design. She is now a student of a postgraduate program of conservation of easel paintings at the University of Ljubljana, Academy of Fine Arts and Design.

Lucija Močnik Ramovš, University of Ljubljana, Academy of Fine Arts and Design

Lucija Močnik Ramovš graduated in painting in 1996 at the Academy of Fine Arts and Design, University of Ljubljana, and in 1999 she completed her Master’s Study in Conservation/Restoration. She is an Associate Professor at the Academy of Fine Arts and Design, University of Ljubljana, in charge of the courses in conservation/restoration of paintings on canvas. She is a member of expert committees of the Ministry of Culture of the Republic of Slovenia and the Association of Slovene Restorers. In her professional work, she mainly focuses on oil paintings on canvas and, in close cooperation with the Restoration Centre of the Institute for the Protection of Cultural Heritage, she also carries out specialist training workshops.

Citas

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Publicado
2020-12-10
Cómo citar
Sterle, A., & Močnik Ramovš, L. (2020). The use of a virtual image as a step to the aesthetic presentation of an overpainted baroque painting. Ge-Conservacion, 18, 347-355. https://doi.org/10.37558/gec.v18i1.819
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Suplemento