O moldelo de gesso e a intimidade do estúdio

Palavras-chave: molde de gesso, estudio, linhagem, Holanda

Resumo

No século XVII, os modelos de gesso, fontes importantes de inspiração e instrução, apareceram em imagens dos espaços de trabalho de pintores holandeses, destacando os trabalhos tanto intelectuais como manuais que ocorriam no atelier. Estes pintores usavam modelos de gesso para proclamar o seu conhecimento erudito da Antiguidade e da escultura do Renascimento fundamentada nos modelos antigos. Os modelos em gesso também proporcionavam uma maneira de comunicar vínculos profundos entre pintores ambiciosos e outros mestres. A presença de modelos de gesso em documentos históricos e em pinturas do atelier do pintor mostram o impacto que estes objetos tiveram nos hábitos artísticos de pintores holandeses, que aspiravam a afirmar as suas linhagens distintas.

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Biografia Autor

Isabella Lores-Chavez, Fine Arts Museums of San Francisco, USA

Associate Curator of European Paintings at the Fine Arts Museums of San Francisco, completed her Ph.D. in Art History at Columbia University in May 2022. Her dissertation focused on the circulation and depiction of plaster casts in the seventeenth-century Dutch Republic. Isabella was the 2020-2022 Samuel H. Kress Predoctoral Fellow at the Center for Advanced Study in the Visual Arts. From 2018 to 2019, she was the Theodore Rousseau Fellow in European Paintings at the Metropolitan Museum of Art. From 2016 to 2018, she was the Academic Coordinator for the Getty-funded project Spanish Italy and the Iberian Americas. Born in Cali, Colombia and raised in Los Angeles, Isabella received her B.A. in Art History from Yale in 2012. In 2013, she curated a small exhibition at the Metropolitan Museum of Art, entitled Dutch and French Genre Drawings from the Robert Lehman Collection. She has also worked at the J. Paul Getty Museum and the Los Angeles County Museum of Art.

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Publicado
2023-06-21
Como Citar
Lores-Chavez, I. (2023). O moldelo de gesso e a intimidade do estúdio. Ge-Conservacion, 23(1), 120-128. https://doi.org/10.37558/gec.v23i1.1214
Secção
Suplemento